I actually passed on the print when I first spotted it because I already had so much set aside to buy. But it was one of those things I thought about for the next few days after I got back home. That's happened to you too, right? So, knowing my mom would be in the area again within the week, I asked her to pick it up for me—fingers crossed that it would still be there. Happily, it was and it's lived somewhere in my living room ever since. I really, really love it—the colors, the subject matter, that great frame— but at 34"x24" I've always known it was too small to hang over the sofa by itself. Because I wanted it there anyway, I hung two creamy decorative plates one above the other to the right of the print to create an arrangement with more weight. It looked forced and just not right. What to do? Ignore it of course! Until one day last week when I couldn't stand it any longer and decided to dig through my inspiration files.
A gallery or salon style arrangement is what I really wanted. Something along the lines of the one above from southernliving.com or the one below from gaitaninteriors.com. See how much space they fill over these sofas? Linda Crisolo, Marketing Director of Art.com says we should "make sure artwork is at least two-thirds the size of the sofa. For example, a 9-foot-long sofa should have a 6-foot-wide expanse of art above it." My 34" wide print was barely filling one third of my almost eight-foot wide sectional.
When it comes to salon style art, I am drawn to a looser arrangement of prints like those seen above. You may prefer a tighter, more controlled arrangement like the one below I found on Martha Stewart's website. I do have one small bone to pick with Martha, however, and I'll turn again to Linda Crisolo of Art.com to explain what that is: "People have a tendency to hang art too high," says Linda "The center of the image should be at eye level. In living rooms, people are usually sitting, so artwork should be lower. A good way to ensure you're placing artwork at the right height is to hang it one hand width above the sofa". Sorry, Martha. There are too many hands between your sofa and your art. It certainly is expertly aligned though.
Speaking of alignment, here's a look I love, from Traditional Home magazine, that is absolutely wrong for my room. Black and white photos of trees hung on a tight grid fill the space over this sofa—side to side as well as from just above the sofa to very near the ceiling; fifteen individual pieces reading as one large work of art. Beautiful, quiet symmetry. Inspiration photos can sometimes show you what won't work in your space as much as what might and, as I mentioned, I like things a little more mixed-up and colorful than this.
Now, here's some great color! Gorgeous panels that, again, completely fill the available space, below. Love the furniture, love the tablescape, LOVE the art and color story, but there's still something here that's not quite "me". Maybe "me" in a different kind of house, but not in this cottagey little ranch-ette I'm living in.
Aha! Now this one, below, is definitely me! This page torn from one of last year's Better Homes and Gardens speaks to me, first, because I am a complete sucker for striped walls (never mind that there is not one striped wall in my home) and, second, because I love the mix of vintage-looking art and colors and the variety of frame shapes and sizes. I also like the use of dimensional objects such as the plates and vase. But I already have a wall-mounted lamp on my wall so I'll reject the idea of dimensional art while I embrace the use of multiple colors, a vintage feel and subjects found in nature.
Inspiration image in mind, I poked around in closets and under beds for art to buddy-up with my favorite print from Woolworth's. Here's what I came up with:
The lighting is a little dim in this room even on the brightest day, and lately we've been having a lot of gloomy ones, so please bear with my amateur skills. Natural light photos without the lamps lit gave me the best results. And besides, my million-year-old sofa would rather be captured in low light and fuzzy focus anyway, thankyouverymuch. Looks good from back here, doesn't she? Especially with all her pretty mixed-up pillows acting as distractions.
I found a nice mix of frames to complement my centerpiece: a green one, a black one, a little gold one and two distressed white ones. The subjects too complement the central landscape: one vintage botanical greeting card, a floral watercolor, two bird prints and one seaside painting on a postcard. The mix of colors and styles feels just right.
I purposefully placed the arrangement slightly off-center above the sofa and closer to the table lamp than to the wall lamp because I didn't want the wall fixture to appear as part of the group. Placed this way, the grouping also hangs more toward the center of the room which is most pleasing when this wall is viewed from adjacent rooms. Long explanation shortened: it just looks better that way!
See that light fixture on the wall up there? That's my solution to lighting over the corner of the sectional. I didn't want to place a table or a floor lamp behind/beside the sofa, so we mounted an old yard sale find on the wall. Its twin lives on the same wall at the other end of the room. Lit at the same time, they help fill the room with light when we have a crowd. This one lit by itself provides just the right light for reading (and blogging) when I'm tucked up into the corner of the sofa.
Gallery and salon style arrangements are not new to my house. I've always enjoyed massing art and objects together—sometimes a little too much. Sometimes to the point that I tire right away of the visual "clutter" and have to take everything down and start over. More than once on the same day I put it all up! This wall though seems quieter to me than other arrangements I've put together. That it's been up for almost a week and not one thing about it "bothers" me when I pass through this room tells me that it might be here to stay a while. At least I hope so. I have too many other unfinished projects to attend to. . .