New Art Arrangement Over My Sofa

This vintage print has hung over my living room sofa for about a year now. I found it in an antiques and collectibles co-op in Bakersfield, CA that occupies an old Woolworth's department store—a great place worth visiting if you ever find yourself in that neck of the woods. You can spend hours shopping for treasures on multiple floors then replenish your energy with a burger and a milkshake at the original luncheonette counter!


I actually passed on the print when I first spotted it because I already had so much set aside to buy. But it was one of those things I thought about for the next few days after I got back home. That's happened to you too, right? So, knowing my mom would be in the area again within the week, I asked her to pick it up for me—fingers crossed that it would still be there. Happily, it was and it's lived somewhere in my living room ever since. I really, really love it—the colors, the subject matter, that great frame— but at 34"x24" I've always known it was too small to hang over the sofa by itself. Because I wanted it there anyway, I hung two creamy decorative plates one above the other to the right of the print to create an arrangement with more weight. It looked forced and just not right. What to do? Ignore it of course! Until one day last week when I couldn't stand it any longer and decided to dig through my inspiration files.

A gallery or salon style arrangement is what I really wanted. Something along the lines of the one above from southernliving.com or the one below from gaitaninteriors.com. See how much space they fill over these sofas? Linda Crisolo, Marketing Director of Art.com says we should "make sure artwork is at least two-thirds the size of the sofa. For example, a 9-foot-long sofa should have a 6-foot-wide expanse of art above it." My 34" wide print was barely filling one third of my almost eight-foot wide sectional.

When it comes to salon style art, I am drawn to a looser arrangement of prints like those seen above. You may prefer a tighter, more controlled arrangement like the one below I found on Martha Stewart's website. I do have one small bone to pick with Martha, however, and I'll turn again to Linda Crisolo of Art.com to explain what that is: "People have a tendency to hang art too high," says Linda "The center of the image should be at eye level. In living rooms, people are usually sitting, so artwork should be lower. A good way to ensure you're placing artwork at the right height is to hang it one hand width above the sofa". Sorry, Martha. There are too many hands between your sofa and your art. It certainly is expertly aligned though.

Speaking of alignment, here's a look I love, from Traditional Home magazine, that is absolutely wrong for my room. Black and white photos of trees hung on a tight grid fill the space over this sofa—side to side as well as from just above the sofa to very near the ceiling; fifteen individual pieces reading as one large work of art. Beautiful, quiet symmetry. Inspiration photos can sometimes show you what won't work in your space as much as what might and, as I mentioned, I like things a little more mixed-up and colorful than this.

Now, here's some great color! Gorgeous panels that, again, completely fill the available space, below. Love the furniture, love the tablescape, LOVE the art and color story, but there's still something here that's not quite "me". Maybe "me" in a different kind of house, but not in this cottagey little ranch-ette I'm living in.

Aha! Now this one, below, is definitely me! This page torn from one of last year's Better Homes and Gardens speaks to me, first, because I am a complete sucker for striped walls (never mind that there is not one striped wall in my home) and, second, because I love the mix of vintage-looking art and colors and the variety of frame shapes and sizes. I also like the use of dimensional objects such as the plates and vase. But I already have a wall-mounted lamp on my wall so I'll reject the idea of dimensional art while I embrace the use of multiple colors, a vintage feel and subjects found in nature.

Inspiration image in mind, I poked around in closets and under beds for art to buddy-up with my favorite print from Woolworth's. Here's what I came up with:

The lighting is a little dim in this room even on the brightest day, and lately we've been having a lot of gloomy ones, so please bear with my amateur skills. Natural light photos without the lamps lit gave me the best results. And besides, my million-year-old sofa would rather be captured in low light and fuzzy focus anyway, thankyouverymuch. Looks good from back here, doesn't she? Especially with all her pretty mixed-up pillows acting as distractions.

I found a nice mix of frames to complement my centerpiece: a green one, a black one, a little gold one and two distressed white ones. The subjects too complement the central landscape: one vintage botanical greeting card, a floral watercolor, two bird prints and one seaside painting on a postcard. The mix of colors and styles feels just right.

I purposefully placed the arrangement slightly off-center above the sofa and closer to the table lamp than to the wall lamp because I didn't want the wall fixture to appear as part of the group. Placed this way, the grouping also hangs more toward the center of the room which is most pleasing when this wall is viewed from adjacent rooms. Long explanation shortened: it just looks better that way!

See that light fixture on the wall up there? That's my solution to lighting over the corner of the sectional. I didn't want to place a table or a floor lamp behind/beside the sofa, so we mounted an old yard sale find on the wall. Its twin lives on the same wall at the other end of the room. Lit at the same time, they help fill the room with light when we have a crowd. This one lit by itself provides just the right light for reading (and blogging) when I'm tucked up into the corner of the sofa.

Gallery and salon style arrangements are not new to my house. I've always enjoyed massing art and objects together—sometimes a little too much. Sometimes to the point that I tire right away of the visual "clutter" and have to take everything down and start over. More than once on the same day I put it all up! This wall though seems quieter to me than other arrangements I've put together. That it's been up for almost a week and not one thing about it "bothers" me when I pass through this room tells me that it might be here to stay a while. At least I hope so. I have too many other unfinished projects to attend to. . .

How the Navy Introduced Me to Designer Lee Ann Thornton

While researching my last post, looking for images of Navy chairs, I discovered this kitchen nook designed by Greenwich Connecticut-based designer Lee Ann Thornton.

I also discovered that I love her aesthetic and affinity for mixing patterns, textures and styles. Check out the disparate pairings in this small corner alone: distressed table surrounded by mid-century chairs and a vintage-inspired bench dressed with a tailored, contrast piping cushion topped by crisp pillows in contemporary patterns and colors. Add one gorgeous pendant light, a modern botanical and the warm textures of a woven blind and wood flooring and yes, please, I'll move in right now.


And—what luck!—look at the kitchen that comes with the nook. The perfect mix of vintage and contemporary (pressed ceiling + modern stools), cool and warm (fresh green walls + deep brown floors), clean lines and textural details (crisp white cabinets and expanses of marble + woven blinds and baskets). And is that a mud room I spy through the door? If there is also a walk-in pantry somewhere nearby (there has to be, right?), then this is most definitely my idea of kitchen heaven.

More of the same heavenly mix in this seating area. Can you find all of the elements I've already mentioned in this single shot? They're all there.

In fact, it seems that every one of Lee Ann Thornton's designs incorporates the same elements even when the look is decidedly different. Here, a living room in soft blues, neutrals and bits of the sea and chinoiserie.

Another living space in periwinkle and white with hits of chocolate, a tropical touch of seagrass and bamboo, and an unexpected zebra or three.

And here, the boldest, brightest pattern-mixing-est room of them all: a casual family space in summery, sea-worthy blues and whites.

To see a bit more (honestly, I've stolen—um, borrowed—more of her images than I probably should have), visit Thornton Designs here. There is also a lovely interview with the designer here. I am so impressed with and inspired by the designs of Lee Ann Thornton... and so happy that the Navy sent me her way.

Off-Season Fireplace Fillers

While organizing this post, I realized it might be a bit premature for some of you in colder parts of the country. But Spring has definitely sprung here in Southern California. April and Easter are only a few days away, for goodness sake. Time to close up my fireplace. Bring it in line with the new seasons and my lighter, warm-weather decor.

However, as I'm proof-reading before posting today, it's dreary out and threatening rain. Perhaps this idea is premature here too! Maybe I'll have one or two more fires before closing it up this weekend and then... what?

What will I do to fill in that unsightly, unused fire box? What should take the place of the firewood-filled basket and hearth tools? Searching around in books, magazines and online, I've come up with lots of examples but still I'm not sure what to do here.

Part of the problem in my house is that I really don't want my fireplace to be the focal point of my living room. It's off-center and clumsily proportioned. We purposefully painted out the brick we uncovered in the process of remodeling so that it blends into the walls. I don't put much on the mantel either. A round, iron-framed mirror plus a couple of small prints propped up and some greenery or vase of flowers and that's it. Nothing that will call too much attention.

What I choose to fill or cover my firebox during the off-season will likely then be quite low-key. You, however, may have a perfectly centered, beautifully proportioned fireplace that is the star of your room. With that in mind as well, I've gathered a variety of options to inspire us.

One of the more traditional covers for an unused firebox is a decorative fireboard. A painted board or even an embroidered and framed panel does the job nicely in vintage surroundings. Plants and flowers, whether inside the firebox itself or placed on the hearth, are also classic choices. I might try a fern this year. But any fern in my living room will have to be faux. That corner of my living room lacks enough light to keep a real one alive. Dried hydrangeas or faux boxwoods in decorative containers are another alternative I might explore.

An obvious solution to covering the opening of an unused fireplace is a folding screen. Unlike the finely woven metal screens that prevent sparks and embers from escaping the fire, a carved screen like the one above, a painted screen or even an upholstered screen custom made to complement your room is purely decorative and should be replaced when fire season rolls around again.

Here's an interesting screen of sorts fashioned from the fronds of a sago palm. And while the fronds may be real, it appears that the fireplace itself is not. Placing items on the faux hearth of a faux fireplace lends authenticity to the overall look. On a real hearth, below, decorative objects and flowers soften the blackness without entirely blocking the firebox. Which is fine, I suppose, when the fireplace will be in use. But I'm not a fan of this particular flatscreen-over-the-mantel look. I would add something more to the hearth arrangement to further reduce (or eliminate altogether) the appearance of one black box on top of another.

Candles in the firebox are a tried and true solution to an off-season or non-working fireplace. I've never tried this myself though. Maybe this will be the year. No, I take that back. I know better that I'm really not a "candle person". I'd never bother to burn them.

I do like the look of these candle hurricanes set atop a chest placed in front of the fireplace opening. This particular arrangement seems meant for the winter holidays, but it could easily be replicated with branches and plants from our current season. The starfish and Nantucket baskets lend a seaside touch that can stay all summer.

A low chest or a bench placed in front of the fireplace adds extra seating while the fireplace is not in use. That's a smart use of a temporarily freed-up space.

Or move an entire seating arrangement and treat the front of your fireplace like any other wall in the room. I like this idea a lot for my own home. Since I have such a funky fireplace situation, I do tend to treat it more like a wall. There's a reading chair and floor lamp pushed right up almost against it now.

More often than not, I've taken the easy way out and simply plopped the basket that holds our firewood right into the firebox and called it a day. Expected but (sort of) effective. Decorative (kind of) but not intrusive.

I suppose I could expend a teeny bit more energy and stack the logs sideways in an artful arrangement. And make sure the room surrounding the fireplace is as interesting and colorful as the one below so the hearth is hardly noticed anyway.

Even more ambitious is this firebox packed full of... what? Is that wood? Shingles? Books? Whatever it is, it's a conversation starter for sure. Which is not what I want my fireplace to be. So, intriguing as it is, this won't work for me. (And does anyone else think of spiders when they see this? We have a lot of spiders here. No need to make them feel any more at home than they already do.)

This fireplace below, is, in fact, full of books. Sorry, but there's just something inherently wrong with this. Yes it's edgy and creative and colorful and solves a storage problem perhaps, but it's books in a fireplace! The implication really bothers me. Nope, not going to happen.

Something I have considered is making sure the room itself is so striking, so well put together and full of interesting furnishings and objects, that the fireplace becomes a non-issue. Unlike as we see it in the photo below - smack in the center of our view - I believe the fireplace here might be overlooked entirely by the occupants of this room. Now that's the effect I'm looking for!

The elements of surprise and distraction are definitely at work below. Neutralize the furnishings and windows and hang a big blue sail fish over the mantel. Fireplace? What fireplace?

I'll be working over the next few days to solve my fireplace puzzle. I have a set of small shutters that, with a new paint job, might be just the thing. I also have some wooden boxes, a couple of baskets, and maybe I'll go on the hunt for a faux fern just to see what that looks like. If I come up with anything blog-worthy, I'll show you next week!

In the meantime,

tell me -

What do you do with

your fireplace in the off-season?

Hide it or highlight it?

Unexpected Warmth

No, I'm not complaining about the too warm weather again. But, for the record, it is finally beginning to cool enough here to believe that it really is fall. Rather, this post is about the unexpected warmth that can be found in a blue room. Most often, we think of blue interiors in terms of crispy cool blue and white beach houses, watery blue bathrooms, little boy's bedrooms and very traditional spaces along the lines of this


and this.


But use less vibrant though still cool blues and substitute creams for the bright whites above and right away you get a warmer look like this


and this, below. Still light and wide open like the best beach houses, but a bit warmer and a little cozier. Notice too the references to fall in the photo below: a gourd on a shelf, rustic basket on the table, and an arrangement or golden-hued flowers. Sometimes it's the smallest details that make the big difference.


Bring back the vibrant blues of the first two photos but balance them with warm woods, creams and tan on walls and fabrics and lots of layered accessories and textures and you can have your blues and cozy too. Warmer still.




Warmest of all, the following spaces feature ample doses of gold and orange on floors, walls and ceilings. Textural fabrics like wool, velvet and chenille are warm to both the eye and hand.




There are warm blues, of course, but more often it seems the temperature of the blue used in a room is less important than the colors used around it. Set off by bright whites, pastels or citrus shades, blue takes on the perceived coolness of swimming pools and oceans. In other spaces, the blues below might appear icy and cold, but here, because of the other elements in the rooms, the overall look warms up.

The room below, by the incomparable Phoebe Howard, may be my favorite blue room ever. Notice how prominent the blue wall is. A periwinkle shade that could read very cool if treated differently, becomes a beautiful counterpoint to all the browns and golds and dusky greens. Texture is also important here. Warmth is found in weathered woods, glinting gold on picture frames, carved and patinaed accessories, the fireplace mantel, the velvety fabrics.

The image at the top of this post is an entry vignette by designer Jeffrey Bilhuber. Everything about it says warmth and welcome.

Countless studies have confirmed that blue is America's favorite color. I imagine that's in some part because true blues are happy, energizing and very familiar. Blue is, after all, the color of the sky and water we see all around us every day. Familiar is also comfortable. And much comfort can be found in a warm, blue room.

DON'T FORGET: I'm hosting Mood Board Monday this time! Go to this post to see the inspiration items and get your mood board ready for the McLinky party on Monday, November 9th. Go to Room Remix, where PK started Mood Board Mondays, to see all the creative results of the last challenge. Please come play with us! No competition—just fun.